13 UMMA Objects
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A collection squares arranged in six rows of five columns. The squares are in black and white and are of abstract designs.
Terry Winters
Location Plan
2000
Gift of J. Richard Pinnell and Robert J. Scanlan
2011/1.83

Richard Anuszkiewicz
Untitled, from 'Spectral Cadmiums'
1968
Museum Purchase
1969/1.120

Richard Anuszkiewicz
Untitled, from 'Spectral Cadmiums'
1968
Gift of Mr. and Mrs. Charles D. Clark
1969/2.1
Purple silk crepe with hitta miura and hand tie-dyed design achieving the effect of many diagonal rows of tiny squares.  Upper lining is plain weave momi (red silk) and lower and cuff linings are mauve pink.
Japanese (Japanese (culture or style))
Purple shibori kimono with overall pattern of tiny squares in diagonal rows
1930 – 1940
Gift of Howard and Patricia Yamaguchi
2005/1.376
On a long horizontal piece of white paper two horizontal rectangles sit. On the left the rectangle is grey with a darker grey design of triangle shapes intersecting at a square in the middle, on the right, the same pattern appears on black.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.34
Design for a square plate with stylized plant design painted on paper in ink.  Signed.
Hamada Shōji
Design for a square plate, signed
1967
Gift of the Ann Arbor Potters Guild
1980/2.221
Square shaped ceramic plate with iron black/brown glaze.  Areas of raised black glaze with speckled texture sharply contrast lighter brown sections.  Together they forn the shapes of circles, cracks, and lines.
Tamura Koōichi
Plate
1960 – 1963
Museum Purchase
1963/2.74
On a long horizontal piece of white paper two horizontal rectangles sit. On the left the rectangle is grey with a darker grey design of triangle shapes intersecting at a square in the middle, on the right, the same pattern appears on black.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.42
This is a square painting with skinny vertical lines of green on a background of red. There are two square forms in the center, each with a diagonal line from the upper left to lower right corners. One square is created by a pinkish, purple line and the other is created by a reddish orange line.
Julian Stanczak (American (North American))
Shift, Orange and Green
1991
Gift of Mr. and Mrs. Julian Stanczak
2009/2.12
Two pieces of artwork consist of colorful shapes and lines.
John T. Scott
Spiders Don't Work on Weekends 4#
1977
Gift of Dr. James L. Curtis
2011/2.186.3-4
This screenprint has a number of large rectangular shapes spread throughout the whole composition: a large dark yellow square in lower left quadrant, a lighter yellow square and rectangles along top and lower right quadrant, and blue, black and white vertical and horizontal lines between the yellow components.
Ilya Bolotowsky (American (North American))
Square
1979
Gift of Dr. Reuven Bar-Levav
1991/2.103.1
This composition features thick black curved and straight lines that intersect to create fork-like abstracted forms. There is a highly saturated red square that punctuates the center of the composition. <br />
Giuseppe Capogrossi
Composition
Gift of Professor Walter M. and Nesta R. Spink
2012/2.218
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